Music 007 Quiz 7 (Penn State University)
Music 007 Quiz 7 (Penn State University)
- Superb tenor saxophonist, the best known of the "Four Brothers":
- Celebrated Cuban drummer and pioneer of Afro-Cuban jazz; co-composer of Manteca:
- Clarinetist/saxophonist and big band leader; he had a marvelous penchant for bringing together all-star ensembles, known as "herds":
- One of the two leading bebop pianists; he pared down the left-hand activity and adopted the bebop horn style to create a linear bop style of piano; recorded Night In Tunisia in a trio setting:
- Pianist and composer, an early pioneer of bebop; his compositions possess such originality that in many respects they transcend the "bop" idiom:
- Early bebop drummer; he played the ride rhythms on a cymbal suspended above the drum set; also known for his "feathering" of the bass drum; performed on such notable recordings as Koko and Night In Tunisia:
- While drawing its roots from Kansas City Swing, Bebop was a radically new style of jazz. There were several major differences from Swing.
- The Bebop style impacted instrumentation in significant ways. There were several implications fortrombone, perhaps best captured in the style of trombonist J.J. Johnson.
- How many musicians are performing in the following piece?
- What is the form of the following piece?
- In 1945, Gillespie and Parker took Bebop on the road. Which statement best describes the public's initial reception of the Bebop style of jazz?
- Virtuoso saxophonist, nicknamed "Bird," he was one of two leading pioneers of bebop; composer of Koko:
- Virtuoso trumpeter who was one of two leading pioneers of bebop; composer of Night in Tunisia:
- The Bebop style impacted instrumentation in significant ways. There were several implications for bass.
All but one of the following assertions is true. Which one is Not Correct? - Early bebop bass player; played on such notable recordings as Koko and Night In Tunisia: